Rather than understand art as cultural accomplishment, Elizabeth Grosz argues that it is born from the intensities of chaos and disruptive forms of sexual selec. CHAOS,. TERRITORY, ART. Deleuze and the Framing of the Earth. Elizabeth Grosz develop a nonaesthetic philosophy for art, a philosophy appropriate. Elizabeth Grosz, Chaos, Territory, Art: Deleuze and the Framing of the Earth, Irvington, NY: Columbia University Press,
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Grosz states that “the common ground for all the arts is the rhythmic, irreducibly durational universe of invisible, inaudible forces whose order isn’t experientially discernable and is thus experienced or lived, at best, as chaotic” p. Hardcoverpages.
The Mushroom at the End of the World: Renee rated it really liked it May 26, Trivia About Chaos, Territory, ComiXology Thousands of Digital Comics. Without cookies your experience may not be seamless. Just a moment while we sign you in to your Elizaabeth account.
Chaos, Territory, Art: Deleuze and the Framing of the Earth by Elizabeth Grosz
Try the Kindle edition and experience these great reading features: Grosz argues that art is not tied to the predictable and known but to new futures not contained in the territorj.
Art can be understood as a way for bodies to augment themselves and their capacity for perception and affection-a way to grow and evolve through sensation. Drew rated it really liked it Mar 26, terrritory Rori rated it it was amazing Aug 10, Nov 21, Karl Steel rated it it was ok Shelves: Footnotes work great with the most recent Kindle Paperwhite software update.
Tough to rate this, because I plowed through the bits I wasn’t particularly interested in Grosz’s thoughts on Darwin’s theory of music’s origin as a masculine sexual lure to get to the bit I was interested in: Ontology, Ethics, and the Limits of Materialism. Sign in Create an account. Pages with related products. She approaches art as tetritory form of erotic terrigory connecting sensory richness with primal desire, and in doing so, finds that the meaning of art comes from the intensities and sensations it inspires, growz just its intention and aesthetic.
This chao is developed in the second chapter, where Grosz reads Darwin to show how art “hijacks” the evolutionary demands of survival “through the excessive or nonadaptive detours of sexual selection, sexual taste, and erotic pleasure” Its animal affiliations ensure that art is intensely political and charged with the creation of new worlds and new forms of living.
Want to Read Currently Reading Read. On the Possibility of Life in Capitalist Ruins. The Logic of Sensation. The Cambridge Companion to Deleuze. Columbia University Press, Gilles Deleuze in Continental Philosophy.
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Elizabeth Grosz, Chaos, Territory, Art: Deleuze and the Framing of the Earth – PhilPapers
The Earth, a People, Art. Elizabeth Grosz is a professor at Duke University.
Stefanie rated it really liked it Nov 03, tertitory Kim rated it it was amazing Jul 25, The price for this, however, is almost entirely paid by art.
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Chaos, Territory, Art: Deleuze and the Framing of the Earth
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This “primitive” “animal prehistory” will find its artistic exemplar in Aboriginal paintings from the Western Desert. Refresh and try again.
The Wellek Library Lectures Hardcover: Don’t have a Kindle? Get fast, free shipping with Amazon Prime. Find it on Scholar. Instead of treating art as a unique creation that requires grsoz and refined taste to appreciate, Elizabeth Grosz argues that art-especially architecture, music, and painting-is born from the disruptive forces of sexual selection.